Flick Review < Rupture | Jean-Claude Carrière & Pierre Étaix (1961)

With Rupture, his first short, co-written and co-directed by Jean-Claude CarrièrePierre Étaix made the leap from music hall to 
motion pictures. Shot and released in 1961, Rupture received the Fipresci Prize in Mannheim and the Grand Prize at the Oberhausen Festival.


Alphabetarion # Silence | Harold Pinter, 1969

Man Ray: Lee Miller - Hand on Lips,  1929

There are two silences. One when no word is spoken. The other when perhaps a torrent 
of language is being employed. This speech is speaking of a language locked beneath it. 
That is its continual reference. The speech we hear is an indication of that which we 
don't hear. It is a necessary avoidance, a violent, sly, anguished or mocking smoke screen 
which keeps the other in its place. When true silence falls we are still left with echo 
but are nearer nakedness. One way of looking at speech is to say that it is a constant 
stratagem to cover nakedness.

Harold Pinter, Silence, 1969

Alphabetarion # Dolls | Frank Horvat / Max Dupain / Terry O’Neill / Vincenzo Balocchi

Vincenzo Balocchi, 1960
1925                                                   1930s
 Sisters playing with dolls. France, 1955

"I never had a chance to play with dolls like other kids. I started working when I was six years old."

Billie Holiday

Max Dupain, Old dolls resprayed, 1955                                              Caledonian Market, London, 1920s
Frank Horvat, Dolls. Paris, 1956
France Gall, 1965                                                                   Man with his doll tucked under his arm, Paris 1928
          Child rescuing a doll after floods, United Kingdom, 1953
F. Scott Fitzgerald with Zelda (armed with doll) and daughter on a liner’s deck, 1925                                     Henri de Toulouse-Lautrec with doll, 1892 
Terry O’Neill, Jean Shrimpton, 1964

"I would feel as if I were drugged, sitting there, watching those damned dolls, thinking what a success they would 
have made of their lives if they had been women. Satin skin, silk hair, velvet eyes, sawdust heart - all complete.” 

Jean Rhys, Good Morning, Midnight, 1939

Girl playing school with dolls on porch, 1920
 Josef Kokesch, Child waits patiently while her dolls get a permanent wave              1910         
  from Vienna barber, 1950


Delicious autumn! / George Eliot, 1841 | Autochromes by Rudolf Bruner-Dvořák

 Louis J Steele, An Autumn Morning, 1917

“Is not this a true autumn day? Just the still melancholy that I love - that makes life and nature harmonise. 
The birds are consulting about their migrations, the trees are putting on the hectic or the pallid hues of decay, 
and begin to strew the ground, that one's very footsteps may not disturb the repose of earth and air, while 
they give us a scent that is a perfect anodyne to the restless spirit. Delicious autumn! My very soul is wedded 
to it, and if I were a bird I would fly about the earth seeking the successive autumns."

George Eliot, letter to Miss Lewis, 1st October 1841

Rudolf Bruner-Dvořák, 1913
Rudolf Bruner-Dvořák, 1913
Rudolf Bruner-Dvořák, 1913
Private collection of Pavel Scheufler

Fascination of Autumn

Autumn colors were a very common theme for Autochrome pictures. These photographs by
 Prague photographer Bruner- Dvořák are however some of the most beautiful of their kind.

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